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Certainly neither Ricards nor Leonardo da Vincis are less beautiful because there are few of them—on the other hand, Monticellis, Daumiers, Corots, Daubignys and Millets aren’t ugly because in many cases they were done at great speed and there are relatively many of them. As for landscapes, I’m beginning to find that some, done more quickly than ever, are among the best things I do.
Yesterday, at sunset, I was on a stony heath where very small, twisted oaks grow, in the background a ruin on the hill, and wheatfields in the valley. It was romantic, it couldn’t be more so, à la Monticelli, the sun was pouring its very yellow rays over the bushes and the ground, absolutely a shower of gold. And all the lines were beautiful, the whole scene had a charming nobility. You wouldn’t have been at all surprised to see knights and ladies suddenly appear, returning from hunting with hawks, or to hear the voice of an old Provençal troubadour. The fields seemed purple, the distances blue.